Showing posts with label Plagiarism. Show all posts
Showing posts with label Plagiarism. Show all posts

Sunday, December 1, 2013

My first song :-)

More than a year ago, I noticed that one of my blog articles is getting lot of hits. I wrote that article, ”How To Write Lyrics For Hindi Movies”, as a sarcastic take on the quality (or lack of it) of lyrics found in Hindi movies. It was written almost 20 years ago on a Usenet group, and I just archived it on my blog. The search engines don’t have much sense of humor, so as you can see, this article appears at the top of search results! My apologies to those who were looking for real information.

That got me thinking. Why just lyrics? Why not compose a whole song? So here it is. A song written by me, tuned by me (!) and also sung by me :-) Don’t be afraid, read on.

First the lyrics.
agar maiN tum se yeh kahooN, mere dile mein hai too hi too
     mujhe hai bas teree hi aarazoo,
meree saaNso meiN hai too basee, aur manzil hai too meree
     ruh ko bhi hai teree justajoo

tere deedaar-e-ruKH-e-roshan binaa, zulmat-e-shab ho kaise fanaa
    gar haal-e-dil yeh kar duN main bayaaN
kya mere pyaar ko apnaaogi, ya rooth ke thukaraaogi
   kya hogaa tumhaaraa faisalaa

o meri jaan, o meri jaan
tere bin main kaise rahooN mujhe na KHabar hain na pataa
o meri jaan, o meri jaan
kuchh to kaho, yuN chup naa raho, ab aur naa lo imtihaaN
If you are feeling adventurous enough, you can listen to me singing it.



Now some clarifications. I have no illusion of being any artist. I am no singer, no lyricist and no composer. This is just a bit of fun. The lyrics are indeed written by me, and yes, I am the one singing it, if at all it can be called singing.

But the tune is not mine. It’s from one of my favorite Country songs, I told you so.

That’s the point of this exercise. If you are willing to plagiarize a tune, it’s extremely easy to come up with “your” song. The original lyrics give you an idea on where to start. The ready made tune provides a nice rhythm so that you can write fluid lyrics without having to worry about mundane stuff like meter ;-). In a couple of hours, you have a “new” song ready. No hard work required.

Maybe even more clarifications are needed. I am not advocating theft. Plagiarism is bad. It’s indefensible. Arguments such as “paying tribute”, “borrowing ideas”, or “making it more popular” are all flimsy, and wrong. I am just trying to illustrate how easy it is to plagiarize.

Tuesday, January 27, 2009

ASAD - 85

Originally posted on rec.music.indian.misc in 1997

Allow me to return to one of my favourite topics of the first season of ASAD. Lyrics Plagiarism. Yet another case. Have you heard this song from Vijaypath (MD Anu Malik, *ing Ajay Devgan, Tabbu).

der lagi aane me tumko, shukr hai phir bhi aaye to,
aas ne dil_ka saath na chhoda, waise hum ghabaraaye to

Who is the Lyricist ??? It's an exact copy of a Matla of a GHazal by Andaleeb Shaadani ! Not a single word has been changed !! Too much.

Once again, what do you think of such acts ? To me lyrics plagiarism is much worse than Music Plagiarism. When a MD copies, he still has to do some work. Arrange the orchestra, train the singers etc. But when a lyricist copies, he becomes a total parasite. Deplorable.

Anyway. Here is a nice sher from the same GHazal ....

taariKH = history

jhooth hai sab ! taariKH hamesha, apane_ko doharaati hai !
achchha ? mera KHWaab-e-jawaani, thodaasaa doharaaye to !
- Andaleeb Shadani

Asking History to repeat one's dream of youth is quite an interesting idea, isn't it ? It also indicates that for the poet, the dream was as good as reality. And now, it's history. Whatever way you look at it, it's an interesting sher.

- Abhay.
ASAD _also_ stands for "A Sher A Day" !

Thursday, January 22, 2009

ASAD - 69

Originally posted on rec.music.indian.misc in 1997

So the "aahista aahista" Radeef has been used many times. Is this any plagiarism ? Can the term "Radeef Plagiarism" make any sense ? We have talked a lot about Lyrics Plagiarism in the first season of ASAD. Here let's see a case, which can be called "Radeef Plagiarism".

There is a famous GHazal sung by Pankaj Udhas, written by Rashid (?). Here is the Matla, the first sher ...

nam = geeli, bheegi (moist)

dard ki baarish sahi, mat tham, zaraa aahista chal
dil ki mitti hai, abhi tak nam, zaraa aahista chal

A nice sher, isn't it ?

The Radeef is "zaraa aahistaa chal", which is also very nice. Quite delicate. It takes talent to think such a Radeef and use it effectively. It's possible (just possible) that the Radeef is due to someone else.

Here is a sher by a contemporary and top rank poet.

gharib-e-shahar-e-na_pursa = stranger in a city of indifferent people
[ This is a long phrase ! Let's decipher it :-)
pursa = one who inquires about one's well-being
Hence na_pursa = indifferent, one who does not care etc
shahar = city
gharib = means 1.poor or 2.starnger
Hence my translation, which I hope conveys the general meaning :-) ]

is nagar me zulf ka saayaa, na daaman ki hawaa,
ai gharib-e-shahar-e-na_pursa, zaraa aahistaa chal
- Ahmed Faraz

Again, a nice sher.

Note that, this Radeef is obviously more influential than the ones we have seen before. With every article, the influence of Radeef goes up. I am sure, by now, you must be wondering - is "inventing" a Radeef so important ? For an accomplished and talented poet, no, it's not THE important thing. To him/her, it's a part of a big picture. Sadly many amateur poets, spend a lot of time thinking about a good combination of Radeef and Quaafiya and forget that it's the complete sher that clicks.

- Abhay.
ASAD _also_ stands for "A Sher A Day" !

Wednesday, January 21, 2009

ASAD - 54

Originally posted on rec.music.indian.misc in 1995

After another break, damn the workpressure, the series continues. I missed the discussion :-( on Faiz's famous poem, "mujhse pehalisi muhabbat", which I had mentioned in my first article on him. Here is the promised 3rd and last article on him, about his life.

-----------------------------------------------------------------------

The opening line/Sher from this song/GHazal composed by Preethamacharya's favourite MD :-) goes like ...

kisi nazar ko tera intezaar aaj bhi hai
kahaN ho tum, ke ye dil beqaraar aaj bhi hai

It may not be a case of plagiarism, but this is very similar to an ending of another Faiz creation. I am giving the last 3 lines of this Nazm.

KHuda wo waqt na laaye, ke tujhko yaad aaye ...
wo dil, ke tere liye beqaraar ab bhi hai
wo aaNkh, jisko tera intezaar ab bhi hai

Similar words ? Yes.
But the first line gives a splendid and totally different 'vazan' to the next two lines ! The "mood" changes amazingly.

Faiz Ahmed Faiz was born at Sialkot in 1911. He studied English Literature and Philosophy at Lahore. Then he began his career in Amritsar as a lecturer. During the World War II, he joined the Welfare Dept. of Army and became a Lt. Colonel, from 1940 to 1947. His socialist ideology forced him to leave military. Then he became a distinguished and much respected editor of "The Pakistan Times". He was charged with complicity in the Rawalpindi conspiracy, and was jailed from 1951 to 1955. In jail, his intellect was still free to write 2 of his 4 books.

As he himself said

mata-e-lauh-o-qalam = likhane ka saamaan [pen, ink etc.]

mata-e-lauh-o-qalam chhin gayi, to kya gham hai
ke khoon-e-dil me dubo li haiN ungaliyaaN maine
- 'Faiz' Ahmed Faiz

An admirer of Karl Marx, he was the most popular poet in Pakistan. He was a poet who did not believe in "Art for Art's sake", and was a true poet of the people. He was honoured by Soviet Union with the prestigious Lenin Award for Peace.

He died in 1984, but his creations have become immortal treasue of Urdu Poetry in the Indian subcontinent.

- Abhay.
ASAD _also_ stands for "A Sher A Day" !

Thursday, January 15, 2009

ASAD - 47


Originally posted on rec.music.indian.misc in 1995

Let me come back to the Lyrics Plagiarism topic again. You would hardly be surprised, if I tell you the following 'mukhada', written by the greatest Lyrics Tycoon Sameer, is taken from an old Sher.

raah me unse, mulaqaat ho gayi,
jis se Darate the, wohi baat ho gayi
(the song from Vijaypath *ing Vijay Devgan, Tabbu)

The Sher I have, goes like ...
raaste me unse, mulaaqaat ho gayi
ji Dar raha tha jis se, wohi baat ho gayi
- Unknown

It's better if we don't talk about the tune by Anu Malik and the singing by Kumar Sanu. :-) But unfortunately, I have not been able to find out the name of the Shayar. Prakash Pandit has not credited this Sher to anybody in his compilation. Hardly a good Sher, but what else can you expect from Sameer ? He could not pick even a good Sher for "chori". Really in a class of his own ! :-)

A song from the new movie Baazi, goes like

dhire dhire aap mere dil ke mehamaaN ho gaye
pehale jaaN, phir jaane-jaaN, phir jaane-jaanaaN ho gaye

According to my dictionary, both the words "jaane-jaaN" and "jaane-jaanaaN" mean the same thing - "beloved". So I am not sure about the fine difference between the two words. Somebody can perhaps explain. The original Sher has the same second line, but much better first line.

rafta-rafta = slowly [same as "dhire dhire"]

rafta-rafta wo meri hasti ka saamaaN ho gaye
pehale jaaN, phir jaane-jaaN, phir jaane-jaanaaN ho gaye
- Taslim Faazali

Isn't "hasti ka saamaaN" better than "dil ke mehamaaN" ?

I do not know the name of the lyricist in this case. What scares me though, is that there are only two lyricists for Baazi - and one is Majrooh, while other one's name I have forgotten. I hope that the lyricist for this song is not Majrooh !

Anyway, let me ask this question to RMIM again. Isn't lyrics plagiarism much worse than music plagiarism ?

- Abhay.
ASAD _also_ stands for "A Sher A Day" !

Tuesday, January 13, 2009

ASAD - 23


Originally posted on rec.music.indian.misc in 1995

RMIM is a music group. But it has shown patience and tolerence towards this series, which has nothing to offer except Poetry. Thanks a lot! So for once let me try to relate this series to Hindi Film Music.

Sahir, Shakil, Majrooh, Gulzar, Kaifi Azmi are not just lyricists, they are Shayars in their own right. Often they take inspiration from famous GHazals and use it for film songs. The best example is Gulzar's song

dil dhundata hai, phir wohi, fursat ke raat-din
baithe rahe, tasavvur-e-jaanaaN kiye hue

This starting of the song is a GHalib's Sher. No plagiarism. Gulzar gives the credit to GHalib.

Sahir used many of his Nazms in movies. "Kabhi Kabhi" is a well known example. A not-so-well-known example is "jinhe naaz hai, Hind par wo kahaN haiN" from "Pyasa". Everything is same, but in the original Nazm called "Chakale" Sahir had writeen "sanaa- KHwaan-e-taqdis-e-mashriq kahaaN haiN" in place of the words mentioned. Naturally, he wanted to use simple language in the movie. :-)

There was an early Amitabh-Jaya movie, in which Jaya was a "tavayaf". The movie name eludes me, and so too the p-stats of this nice song

patta patta, buta buta, haal hamara jaane hai

This line is taken exactly from the famous GHazal by the great Mir

patta patta, buta buta, haal hamara jaane hai
jaane na jaane, gul hi na jaane, baag to sara jaane hai

I don't have the data to say whether this is plagiarism or not.

Other examples are not so nice. They are not only plaigiarisms, but they distort the original Sher. The worst example is the copy of a fantastic Sher by Momin (a contemporary of GHalib)

tum mere paas hote ho goyaa [=jaise]
jab koi dusaraa nahiN hota

This extraordinary Sher is a typical Momin gem ! Full of "nazaakat" !

Can you guess the song in which this Sher was lifted? It's taken as a second line in this song from "Love in Tokyo".

O meri shahe-KHuba ...
tum mere paas hote ho, koi dusaraa nahiN hota

It's horrible. The lyricist [Hasrat Jaipuri ?] not only blatantly lifted the Sher, but also removed the words "goyaa" and "jab", thereby distorting the original beauty. I can say @#$%^&*!~ to the lyricist.

Another nasty example is also from a SJ-Rafi song. Consider this as a RJGK clue, and guess the song. [Because I have forgotten it :-)]

teerachhi nazar se na maaro, aashiqe-dilgir ko
kaise teerandaaz ho, seedha to kar lo teer ko
- KHwaaja Vazir

It's taken as it is in the song. Pure shamelessness !

I remember seeing a song on TV almost 10 years back, which had Dharmendra and Zeenat. It was a parody. And the second line of the following Sher was lifted in it and sung to the tune of "khilauna jaankar tum to mera dil tod jaate ho".

janaaza rok kar mera wo kuchh is andaaz se bole
"gali humane kahi thi, tum to duniya chhod jaate ho"
- Safi Lakhnawi

It will take a real guru to find out the movie song. I myself have forgotten.

Those who like Marathi songs, must have heard the famous Lata solo, a very very fanous poem by the famous poet BhaRa Tambe

jan paL_bhar mhanatil haa'y haa'y
mi jata rahil karya kaa'y

Well friends, you are in for a shock. Tambeji indulged in Plagiarsim! It's a striaght lift from none other than GHalib's philosophical Sher

GHalibe-KHasta ke baghair, konase kaam band haiN ?
roi'ye zaar zaar kya, kiji'ye haaye haaye kyuN

Gives a bitter taste ! I hate it.

There can be many more examples. Others can add. But IMO, Lyrics Plagiarism is much much worse than Music Plagiarism. It's very difficult to detect and once detected it's always outright disgusting. As it usually distorts the original beauty, and insults the original Shayar. This, but, is never a topic of discussion on RMIM.

- Abhay.
ASAD _also_ stands for "A Sher A Day" !
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