Friday, September 16, 2016

Ik Pal Bhi - My second song

It's been long two years since my first song. Now, I am very happy to share my second song with you.

It's almost the same team as the first song. I wrote the lyrics, then composed a melody by borrowing some basic ideas of Baageshree.

Once again, I was very fortunate to have someone as experienced and talented as Kamalesh Bhadkamkar help me out in all aspects of arrangement and programming. Without his help, this song wouldn't be what it is now.

Just like last time, Ketan Patwardhan has done a fantastic job of singing it with his extremely pleasant voice. Big thanks to both of them.

This time, the perfect accompaniment of instruments is provided by Varad Kathapurkar for flute, and Amey Thakurdesai for tabla.


The first song was very sad, hope this one puts a smile on your face. Listen with your headphones on, and if you like the song, please support it and share it. Thanks!





Full Lyrics :

इक पल भी नज़रों से दूर कहीं, जाना तेरा मंज़ूर नहीं
छा जाती हैं दिल पे मायूसियां, तेरे बिन कोई नूर नहीं

दिल को मैं बहलाऊँ, कितना भी समझाऊँ, सुनता है कब किस की
यह लम्हे फ़ुर्क़त के, हो चाहे छोटे से, मुरझाता है फिर भी
कब तक सहूँगा यह परेशानी,
इस की कर लो तुम ही निगेहबानी
क़ैद में रखना, रिहा ना करना, कम्बख़्त है ... बेक़सूर नहीं

जैसे मेरे दिल की, बेहद सी बेताबी, तड़पाती है मुझ को
शायद कुछ वैसी ही, हालत है तेरी भी, लगता है ना तुझ को
ना है ज़रूरी कहना होठों से
राज़ यह खुलते हैं निगाहों से
ना करना ग़ुस्सा, देखो नाज़ुक सा, है एक यक़ीं ... ग़ुरूर नहीं



Previous song

Sunday, August 28, 2016

Rustom

Movie Review : Rustom
Director : Dharmendra Suresh Desai 
Genre : Crime, Mystery
Language : Hindi
Released : 2016
Starring : Akshay Kumar, Ileana, Pawan Malhotra, Sachin Khedekar
My Rating : 6 out of 10

In late 1950, a naval officer, Kawas Nanavati, returned from his duty to find out that his wife has been having an affair with his best friend. He checked out a gun from the naval armory, killed his friend and surrendered himself to the police. That incident, and the resulting court case has now become well known. A Marathi stage drama, “Aparadh meech kela” was based on it. In Hindi, Gulzar directed “Achanak” starring Vinod Khanna, which I remember watching as a kid, when it was later shown on TV. That movie only borrowed the affair and the murder part, but eschewed the court case and took a different route. It was quite a good movie back then.

The Akshay Kumar starrer, ‘Rustom’, has chosen to stay quite close to the real life story. Some minor details have been changed, like the names of the people involved. The plot is wider than the extramarital affair and revenge. At the same time, many important details, such as a tabloid trying to manipulate public perception, the battle lines drawn along communal lines - Parsi v/s Sindhi - are kept intact.

It’s a story that can make us think hard. Although a murder was committed, the reason is easily understood and something many would empathize with. A soldier risking his life, going away from his family for long duration, and getting betrayed by his wife and his friend. His revenge is a crime according to the law, but still feels justified to some extent. That was indeed the public perception at that time. His pain, his wife’s guilty conscious, the moral ambiguity of his actions, the difference in what the law says vs what people feel is justifiable - these are the right kind of raw ingredients to construct a story that touches us deep inside. The manipulation of public perception, and the communal elements should add to the tension and intrigue.

Unfortunately, Rustom, fails use these ingredients effectively. The movies focuses more on the courtroom drama and widening the plot to include a conspiracy. Which may not have been a problem. But it’s not a riveting court drama, rather it’s full of lame arguments infused with silly humor. The conspiracy that was supposed to shock us also turns out to be something that’s very shallow to start with and it can be easily guessed anyways. In all this, the pain of the betrayal and complex emotional issues surrounding it are subjugated to play a secondary role in the story. I had more expectations because of the association of Neeraj Pandey with the movie. His previous works, Wednesday and Special 26, were quite good.

The focus of the presentation has issues, but the rest of the effort is on the par. Acting is on the mark by almost everyone. Akshay Kumar has evolved into a dependable actor for such serious roles. No one else has comparable screen time, but they all do well with their roles. The setting of the movie is from late 50s, early 60s, and it’s done well. The camerawork is splendid, and the warm hues added to the print make it visually interesting.

As a chess buff, I have to mention this. The chess game played between Rustom and the police inspector is accurate. In chess world, the move sequence is famously known as 'Legal's Mate', and is often taught to the beginners. Kudos to the film makers for getting it right.

I only have a lukewarm recommendation for this movie. It’s definitely a decent attempt to make a movie that’s different from most commercial Bollywood movies, and I appreciate that. In my opinion, it should have been more serious, more emotional.




Tuesday, June 28, 2016

The Kill List



Book Review : The Kill List
Author : Frederick Forsyth
My Rating : 3 out of 5

Frederick Forsyth is my most favorite author for the genre “Thriller”, and by a wide margin. I have enjoyed books by many other authors in the same genre, but no one comes close. Who else does this level of thorough research and goes into such painstaking details? No one else could weave such intricate but realistic plots, smartly packed with surprises. Smart, being the operative word.

His first novel “The Day Of The Jackal” became a well deserved huge international bestseller. Many superb novels followed, many made into movies. I have read all, but after “The Fourth Protocol” I didn’t enjoy his next novels as much. Except “The Fist Of God”, which was as outstanding as his previous works. That’s natural, every artist eventually peaks, and Forsyth is now in late seventies.

“The Kill List” is set in present times. The name of the book is based on the idea that there is a list of people deemed as serious enough enemy of the USA that the President has authorized them to be killed. Prominent on the list is a man simply referred as “The Preacher”. Inspired by his fundamentalist preaching over the internet, more than a few Muslims have conducted “lone wolf” style Jihadist attacks in US and UK. The best headhunter, known as “The Tracker” is assigned to find the identity of “The Preacher” and to eliminate him. The story then follows the investigation into discovering who the terrorist really is, and then the details of the operation to take the suspect out.

Forsyth has maintained his wry and dry writing style. His books often read like non-fiction. There is the typical jargon and unemotional description of even the most heinous events. His favorite Mossad and special forces play important roles. When required, he goes into absolute details to make us feel that we are there. There are parallel story-lines, that eventually meet.

So yes, there are many Forsyth elements in there, but not quite enough. Sadly the plot is not at all intricate. Hence the manhunt is interesting, but not the on-the-edge-of-your-seat kind. It’s also very linear, with almost no set backs. A lot of things need to go right, and they all do. In the end it seems all too easy. That means, there are also very few surprises. I am trying hard to point out the shortcomings without giving any spoilers.

It’s a decent read, but I don’t want to recommend it. If you have read and liked any of the celebrated books by Forsyth, then this book will most likely be a disappointment to you. If you haven’t read any of his books, then this is definitely not a good way to start. Read, “The Day Of The Jackal”, or “The Devil’s Alternative”, or “The Odessa File”, or “The Fist Of God”. Any of them, all of them. Skip this one.

Sunday, May 22, 2016

Diary Of A Multi-Color Rose

Finally, this year rain has shown some kindness towards California. That has immensely helped the plants in the backyard. Like so many others, I had also reduced the sprinkler duration to conserve water. Even if I hadn't, the sprinklers can never substitute the natural benefit rain water has for soil and consequently for the plants.

These photos are from the current spring season. This is a rose plant that I can literally spend hours marveling at. The photos barely do a justice to the incredible color transformation process each rose goes through, but hopefully they give some idea.

Note : You can click on any photo to start a slideshow.

The buds start with a deep pink color, with yellow at the bottom.


As the bud opens up, it gives some hint of the what's inside.


The inside petals are bright yellow, and the outside still keeps some pink.


As it opens more, it gives the impression that it is going to settle on the same yellow color.



When it opens up completely, the yellow starts to fade away, as if the flower is losing the color.


Then the flower changes its mind, and decides to slowly become pink again.


Even in the last stage, it still keep some yellow at the bottom of the petals.



Other flowers on the same plant, and even on the same branch, do not follow the same trajectory of color change, and end up in different states. Here are last 2 stages of another flower.





And much different stages for a third one.







The flowers on the same branch follow different timelines, so they have different colors at any given time.





And while this is happening, the entire plant has flowers that are at the various different stages of the blossom, resulting in a complete riot of colors.





I have no idea what's the name (scientific or otherwise) of this rose plant. Most likely this is a result of some hybrid experiment, and not because of some natural mutation. Whatever the cause, it's a delight, and the whole transformation is captivating. 




Saturday, April 9, 2016

Elevator Algorithm - A perfect interview question

For many years now, puzzle like questions have been very commonly asked during an interview for a Software Engineering job. If my memory serves me right, these were called the Microsoft Interview Questions during the 1990s. These days, they are more commonly referred to as Google Interview Questions.

Not everyone agrees with the strategy of asking these seemingly non-technical questions. For example, a famous question used to be about 4 people who walk at different speeds, and need to cross a bridge at night. The constraints being, there is only one flashlight available, and the bridge can safely take the weight of only two people. The task was to find the sequence that transports all of them in the shortest time, given the need that the flashlight has to be brought back once a pair uses it to cross the bridge. I liked that question, but I also understand, that it is only indirectly related to scheduling algorithms.

On the other hand, the “Elevator Algorithm”, as it is often called, is a much broader problem, and it is absolutely related to actual day to day coding tasks.

Let’s start with the simplest version. There is a very tall building, with one elevator to transport people. It’s just a regular elevator. On the inside there are command buttons corresponding to every floor, and every floor has request buttons for up and down. We have to design an algorithm to respond to the command buttons pressed by people inside the elevator, and the request buttons on the floors.

I am not giving a solution here, because the candidate has to treat it as a design problem, and more importantly as an “optimization problem”. There are different strategies available, and they optimize on different parameters.

The simplest strategy is of course, FCFS, First Come First Served. The elevator would respond to the first request button, go to that floor, drop the person to the requested floor and then move on to the next person. At first glance, it’s clear that this will generate excessive up and down movement of the elevator. It also will not be the most time efficient. But it’s not all bad. It’s very fair in terms of serving, if fairness means relative wait time. Choosing the next request would be very fast, based on a simple queue data structure.

A completely different strategy would be SSF, Shortest Seek First. Whenever the elevator drops a person to the desired floor, it can look at all the requests, and pick the request that’s originating at the nearest floor. It will minimize the distance that elevator has to travel to start serving another request. Clearly, there is a possibility that requests keep coming from a region of nearby floors, and the elevator doesn’t get a chance to serve older requests from floors that are far away. This can lead to starvation for some requests, as there is no upper bound on the wait time. Note that a slightly more complex structure than a queue, would be needed to store the requests, so that they can be searched quickly to find out the next best request. That would be another side question.

The two strategies above try to optimize different goals - fairness and the distance our elevator has to travel. These goals are in conflict of each other. A candidate can be expected to observe this conflict, and realize that this is an optimization problem, and not a simple coding exercise.

There can be other considerations as well, which will matter in more sophisticated strategies. For example the travel time once the person is on board, and the cost of stopping/restarting the elevator for picking up a person. 

It’s easy to see the relation of this problem to Computer Science. This is an old and very well known problem of Disk Arm Scheduling. The cost of seek as measured in time, and the movement of disk arm, both need to be minimized. A very similar problem exists for sorting items that are on tape, and is addressed by Knuth in his book.

The elevator problem, itself has been described on the Wikipedia page. It’s possible to tweak FCFS and SSF to add other considerations. For example, adding an upper bound on wait time in SSF, so that a request waiting over that bound gets priority over the nearest request etc. But the most widely used compromise relies on moving the elevator in one direction, serving as many requests as possible, and then changing the direction to serve requests in that direction, and so on. That's what is actually known as the Elevator Algorithm.

More fundamentally, the core of the problem is sequential access. In my opinion, that realization is more important than knowing an implementation of Elevator Algorithm. The idea behind this problem will appear in one form or another whenever you are restricted to sequential access. For example, the data in memory could in a very big doubly linked list. Today, in the world of Big Data, sequential read is the most common access pattern, and a variation of this problem will confront you, whether you do map-reduce or some other implementation.

Hence, in my opinion, this is one of the best interview questions to gauge the candidate’s grasp on the fundamentals of Computer Science. In addition, this one can be extended in many different directions, making it an ideal problem to see how the candidate thinks. It's easy to make it an object oriented design problem. It can be used to discuss different data structures that will help in the implementation. If needed, it can be made even more complicated by adding multiple elevators serving the building, where a request button summons the most appropriate elevator. That is another nice optimization problem. But the core single elevator problem is often good enough to judge the ability of a candidate to see different trade-offs inherent in any design.

As a side note, the original elevator analogy for sequential access and/or processing is not as straightforward anymore. Real life elevators have other complex considerations, such as time of day, special floors etc. Some have more complex floor controls, where people can also express where they intend to go. And so on. It’s a topic in itself, as can be seen by a rather large tome named Elevator Traffic Handbook. You can preview that book on Google Books if you want to dig deeper on this topic. :-)

Friday, March 11, 2016

The Affair (Season 2) : Showtime Series

Review : The Affair (Season 2)
Aired on : Showtime (2014 - )
My Rating : 8 out of 10

NOTE : This is a review for the second season. I have tried to not mention any spoilers, but if you haven’t watched the first season, I recommend that you read the review of season 1.

The Golden Globe winning TV Drama Series “The Affair” uses the same “Rashomon Technique” to present the next part of the story of season 1. This time, in addition to Noah (Dominic West) and Allison (Ruth Wilson), we also get to hear the perspectives of their respective spouses, Helen (Maura Tierney) and Cole (Joshua Jackson).

The story picks up where it left the last season. Noah and Allison are living together, in a place loaned to him by a friend. He is making good progress on his book. Allison is keeping herself busy. Helen is trying to get on with her life, but Cole is having a tough time to live without Allison. All that’s in the past tense. In present, the investigation that cast a dark shadow in the first season, has become a trial, which casts a similar shadow here. But this time, things are darker even otherwise.

The strength of the first season was writing and acting. The acting is once again perfect. That should not be a surprise, as it’s the same cast. Ruth Wilson and Dominic West are simply fantastic. Maura Tierney is perfect, even the newly added characters are played well.

That brings me to the other strength. The writing is brilliant. It’s better than the first season. One of the things I generally dislike about later seasons, is the addition of characters to get the story going for more and more seasons. The new characters are few and do not feel superfluous. The focus still firmly stays on the original characters.

It’s not just the absence of negative. The writers have done a fabulous job of advancing the story much further. Not in time, but in terms of filling in the details. In the first season, I felt the plot was not very interesting. This time, the plot is developed very nicely. As a result the season is much more than just a close-up look at adulterous human nature. Make no mistake, there is still a lot of sex, and for all characters. But, many questions that were deliberately left unanswered by the first season have been answered, and answered well.

There are new surprises too. I don’t know if these were always in the story, or were planned later. In any case, they work very well. For this, the writers had to add some darker shades to the characters. I think I dislike almost every character now. That’s not a complaint, a good story does not have to have noble characters.

The master stroke is how the season ends. In spite of resolving all the mysteries, the story from this point onwards can turn in many plausible ways. It’s smartly done, and it’s all very believable.

In my opinion season two is better than season one. In the first season, there was a novelty of using the multiple perspectives. It’s no longer a novelty. This season actually has a better plot. 

If you have watched the first season and liked it, I think you will find season two very satisfying. It’s correctly rated as TV-MA and it's not suitable for even teenage kids.

Wednesday, February 17, 2016

Natsamrat



Movie Review : Natsamrat
Language : Marathi
Director : Mahesh Manjrekar
Genre : Drama
Starring : Nana Patekar, Medha Manjrekar, Vikram Gokhale
Released : January 2016
My Rating : 9 out of 10

Theater has alway been a big and integral part of Marathi culture. Like many cultural heritages, sadly, the standards have been in a long decline. The industry may still be thriving, but the Golden Age of Marathi Theater is long over.

The most exquisite jewel from that age is the Sahitya Academy Award winning play, “Natsamrat”. Written by one of the most respected and accomplished Marathi writers, Vi. Vaa. Shirwadkar, also known by his pen name, Kusumagraj, this play not only set a very high bar, but also influenced the society like no other play has.

It’s the story of the last phase of life of, Ganapatrao Belwalkar (Nana patekar), a beloved stage actor of his generation who was referred as “Natsamrat” (Emperor of Acting) by his admirers. After he retires, he chooses to give all his wealth to his son and daughter, and decides to play the real life role of a grandparent. His style of grandparenting is unsophisticated, and that creates disputes with his daughter-in-law. So he and his wife go to live with their daughter who is now married. Even there, his outspoken and blunt personality creates uncomfortable situations. The suspicion of theft becomes the last straw for the aging couple, and they decide to move out even in their bad health, and with almost no money. It eventually ends in a tragedy as you can expect.

It’s a simple plot and is unabashedly melodramatic. It manages to go beyond that, by raising its own level with help of realistic situations that touch the very core of human heart. The play was released in early 70s, when the social structure was changing from the one based on joint families to smaller nuclear families. This change was hard for the generation that believed in handing over the keys to their offsprings in order to enter the next stage of life, “vanaprasthashram” as it’s called. As we all know, unfortunately in some cases elderly parents were mistreated.  Natsamrat brought this dark side of the society out in open and became a cautionary tale. The lesson was loud and clear. Never give up your financial independence. Definitely not to your kids.

The writer of the original play, Kusumagraj was an extraordinarily gifted author/poet/playwright. He later won the Jnanpith Award Winner and was also honored with the title of Padmabhushan. With his literary prowess, the story then scales the heights of drama by infusing dialogues that are both poetic and hard hitting at the same time. The original drama had long monologues, that are permanently etched in memory of theatergoers. The strength of the words here make it a more than just a drama. This is now classic literature.

Whatever I have written so far, applies more to the original drama on which the movie is based. The movie has left the essence untouched, including the famous monologues. There are modifications, some I agree with, some I don’t. The character of Ganpatrao’s friend, is added in the movie. It blends well with the story. The character of Ganpatrao himself has been made to have some negative shades that are not in the drama. In the drama, he is not the drunkard that he is shown here. Overall, in the movie he is a bit difficult to deal with which was not the case in the play.

Apart from being a milestone play, it also created a dream role for any serious ambitious actor. It is a monumentally difficult role to pull off. The weight of the dialogues would easily crush an actor who is not a complete master of voice control, modulation and timing. On stage, the role was played mainly by Dr Shriram Lagoo, and then by Datta Bhat among others. Today, there is no better actor than Nana Patekar who can rise to this challenge. He is simply outstanding. I don’t think I have words to explain what he has accomplished here. It’s a performance that has to be seen and heard. Even if you do not understand Marathi, just watch the movie for his performance. The subtitles are quite good and should help.

Mahesh Manjrekar is back to directing great movies again. I remember his superb Astitva, and then the disappointing movies that followed. Now he has Kaaksparsh and Natsamrat under his belt, and that bodes well for us. Hopefully the trend continues, and we get to see more movies with a story and a soul, like these two.

Medha Manjrekar (in the role of Ganpatrao’s wife) and Vikram Gokhale (in the role of Ganpatrao’s friend) have given memorable performances. Most other actors have also lent good support.

The core idea of the play, has later been seen in many movies, from Avatar (featuring Rajesh Khanna) to Baaghbaan (featuring Amitabh Bachchan). It’s really wonderful that a movie has now been made to remind us all of the greatness of the original play. I highly recommend this movie, and think everyone should watch it. It’s absolutely safe for kids, and I would recommend that you watch it with them.

Tuesday, January 5, 2016

The Fifth Gospel



Book Review : The Fifth Gospel
Author : Ian Caldwell
My Rating : 4 out of 5 stars

After reading the blurb on the cover of “The Fifth Gospel”, it’s very natural to think of “The Da Vinci Code", or “Angels and Demons”. A Vatican murder mystery involving an artifact from Christian history, has to remind us of Dan Brown’s novels. That would be a wrong expectation to set, as Ian Caldwell’s sophomore effort is at the diagonally opposite corner.

The story is told to us in the voice of Father Alex Andreou, a Greek priest who grew up in Vatican. Right at the beginning of the story, he gets a call from his brother, Father Simon, that their mutual friend Uno has been shot. Uno was a curator at the Vatican Museum, and was going to open a new exhibit in a few days. That exhibit, about the “Shroud Of Turin” and its relation to the so called “Fifth Gospel” was expected to have a profound impact on the relations of Vatican with Orthodox Christians. With so much at stake, such a project was receiving both support and opposition from different powerful forces within the Vatican. Father Simon is put on a trial for killing Uno, but he decides to remain silent and not defend himself. The rest of the book follows this trial, what did Uno discover that put his life in danger, and the mystery of who killed Uno.

There are clear similarities between this plot and “The Da Vinci Code”. But the treatment is very different. Dan Brown wrote a page turner with a controversial interpretation of history. Here, Father Alex is a very simple man, for whom family comes first. He is a bit too sentimental in my opinion, but I understand why that’s the case. All other characters are very well drawn, and most are likeable. There is a lot of focus on feelings and relationships. The phrasing is literary in places. There are lots of details about the Vatican, and especially its legal system. There is some puzzle solving and interesting investigation of history too. Overall, the story feels lot real, and the reader is bound to empathize for Father Alex.

I learned a lot about the history of relationship between Catholic and Orthodox segments of Christianity, and the differences between the gospels. The details about internal workings of Vatican were interesting too.

The book does feel dragged at places. The mystery aspects works well, but the intermediary surprises are often unexciting. For example a chapter would end with you wanting to know more, but when the surprise is revealed, it’s a “duh” moment. I cannot elaborate on this without giving any spoilers, but you would understand what I mean, when you read the book.

I definitely recommend this book if you set your expectations right. This is a medium paced, uncontroversial and sincere book. It aims to educate, as well as entertain with a believable mystery.

Thursday, December 24, 2015

Bajirao Mastani

Movie Review : Bajirao Mastani
Language : Hindi
Director : Sanjay Leela Bhansali
Genre : Historical Drama
Starring : Priyanka Chopra, Ranveer Singh, Deepika Padukone
Released : December 2015
My Rating : 6 out of 10

I have watched only two or three movies directed by Sanjay Leela Bhansali. I was extremely impressed with “Black”, while I simply couldn’t stand “Devdas”. When I heard his other movies also valued “style over substance”, I didn’t bother to watch any more. In spite of fearing the same for this movie, I still wanted to watch it.

This is a story that I am very familiar with. The history of Maratha Empire is something I have studied in detail in school. Since I have always been interested in History, I have also read many semi-fiction, semi-history Marathi novels that have been written for this period. This period is part and parcel of Marathi culture and Marathi pride. References to Peshwai are common in Marathi speech. In short, this topic is very close to heart, and at the risk of sounding narrow-minded I will say, this is a history of my people.

With that background, I can provide my understanding of “Raa’u”, the book written by Naa. Sa. Inamdar, and on which this movie is based. Bajirao-Mastani, is not, very emphatically, not a Marathi version of Romeo-Juliet. Bajirao, a Brahmin by birth, was an undefeated leader, known for his legendary skills of maneuvering cavalry. They say, he lived his life on a horse. After his marriage with Mastani, a Muslim woman, he tried very hard, but did not succeed, to give legitimacy to their relationship. His disregard for social norms was scandalous in the ultra-religious, ritualistic society of that time. This strained his relationship with his own family, especially his brother who was loyal to him like Lakshman was to Raam. This combination of rebellious love of a Hindu Brahmin leader with a Muslim woman, family drama, military triumphs and the political conspiracies that were all too common in those times, makes it a very complex and potent story. It should naturally lead into making a great movie.

Unfortunately, Bhansali’s adaptation turns out to be a movie with a split-personality. He has succeeded in bringing our attention to many aspects of the story, especially Bajirao’s naive struggle to get the society to accept his marriage to Mastani. But then he chose to make it a Romeo-Juliet in the end. His casting of secondary characters is perfect in case of Milind Soman (as Ambaji Panth) and Vaibhav Tatwawadi (as Chimaji Appa), but is laughable in case of Ayush Tandon (as the eldest son of Bajirao). The settings are very realistic in some cases (especially the inside of Shaniwar Wada) and totally fake in many. Please try to not look at the background sky. Especially the moon looks straight out of 70s movies. The dialogues are occasionally memorable, but often times feel like forced marriage of words (“dhalta sooraj, khilta chaand” etc), and sometimes just idiotic (Bajirao's repeated line of “Cheeteh ki chaal …”). This overall, cannot be termed as competent direction.

I am told that Bhansali’s movies are to be watched for the lead actors frolicking in the opulence of costumes and sets. Well, some of the sets are indeed impressive, with nods to Mughal-e-Azam (courtesan dancing in a room full of mirrors), a set out of Paakeezaa which interestingly is used to picturize a holi song without any real holi, go figure. 

Coming to lead actors. Both the ladies manage to show different shades of emotions. These are complex roles, especially Kashibai (Priyanka Chopra) who justifiably feels wronged by her husband. Deepika Padukone is perhaps the best choice today to play the role of Mastani. I was neither particularly impressed by the acting of both, nor do I have anything to complain about.

The main problem is Ranveer Singh. This is the first time I have watched him, and I don’t think he is a good actor to begin with. On top, he and Bhansali have chosen to portray Bajirao as an unpolished crude, almost a brute, as opposed to a civilized, inspiring leader. Maybe they had an “angry young man” in mind, but this interpretation comes across more as a goon than a king. His body language is awkward and sometimes comical. His dialogue delivery has no gravitas. This is my main objection to the movie. I am OK with all the artistic liberties even though I cringed watching the Peshwas dance. I really don’t understand that decision. Was it necessary to have Bajirao and Kashibai dance? I am not offended, but I don’t see the point.

On the positive side, I am happy someone brought this great story to wider audience. I hope it brings more awareness to Bajirao’s positive impact on India. It was his farsightedness that established at least three major confederacies (Baroda, Gwalior, and Indore) outside Maharashtra, which ensured the continuation of Hindu rule.

This movie has more depth and substance than “Devdas”, but still falls short of being a good movie. In case you want to watch it, I recommend watching it on a big screen to enjoy some eye candy it presents.

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